(Mackenzie 2018/2) Inglês - Read the following text and answer questions 14 and 15

Read the following text and answer questions  14  and  15 Spoilers One fateful summer evening, I hurried home from work, eager to cat...

Read the following text and answer questions 14 and 15

Spoilers

One fateful summer evening, I hurried home from work, eager to catch up on “Game of Thrones.” I don’t have cable, so I often watch my shows a day or two after they air, usually via some streaming service or an app. At the time, I had become an obsessive avoider of spoilers, the kind of person who stayed off Instagram and Twitter during live episodes of popular shows, even going so far as to turn off notifications to avoid reading about a reveal or twist that would ruin a surprise.

That night, blissfully unaware of what was to come, I switched on my television, expecting to be greeted with the medieval tones and threedimensional map of Westeros that signal the show’s start. Instead, I was confronted by a massacre: This episode was “The Rains of Castamere”, popularly known as the Red Wedding. Some friends and I shared an account, so the episode began where the previous person stopped watching, at the precise moment a pregnant character is stabbed in the stomach. I felt as if I had been stabbed in the stomach. I had invested nearly 30 hours into one of the biggest buildups of modern television only to have it — and my preciousness about spoilers — ruined.

The celebrated film critic Pauline Kael once wrote that movies function as escape pods, portals to parallel universes that can be radically different from emotional norms and societal conditioning of our own. What she meant was they parceled out freedom, allowing viewers to lose their selves in an effort to find greater connection to the self. “A good movie can make you feel alive again, in contact, not just lost in another city,” she wrote in 1969.

Since then, movies — and now, increasingly, television shows — have become even more intense and immersive, ensuring that we lose ourselves more freely in them. Today’s directors aim for attention totality in order to capture easily distracted audiences. A 2015 study conducted in part by James Cutting, a psychologist at Cornell University found that filmmakers have adapted their shooting styles to try to keep up with changes in our attention spans. And maybe it works — for adrenaline junkies. But losing myself in a film almost guarantees an anxiety attack. Most times, at the movies, my stress levels are ratcheted up so high that I can barely sit through the full production without excusing myself, clutching people next to me or crawling out of my seat, incapacitated by the unknown.

Yet I love TV and movies, so in order to keep watching, I started spoiling them for myself. Spoilers have become a virtual Xanax, triggering a relaxing sensation that envelops my entire body – luckily, the internet has made my habit easy. I’m not a total barbarian: I never divulge endings or let on that I know them. There’s even some evidence that the audience’s enjoyment is heightened when they have a sense of what’s going to happen. Once I’m clued in, I can actually let myself be spirited away, as the directors and screenwriters intended, enjoying the things I’m normally too wired to enjoy. The more films and TV shows I spoil for myself, the more I am convinced that truly interesting stories can’t be ruined — the plot thickens with the viewing like a rich sauce.

Kael wrote that “when we go to the movies, we want something good, something sustained, we don’t want to settle for just a bit of something, because we have other things to do.” This is what entertainment has most to offer. My only condition is doing it without raising my blood pressure.

Source: The NYT Magazine, Feb., 2018.

Questão nº 14

Check the alternative that only brings phrasal verbs taken from the text:

a) want to, settle for, wired to

b) spoil for, keep up, spirit away

c) sit through, settle for, greet with

d) catch up, turn off, keep up with

e) stab in, turn off, greet with

Resolução:

Os phrasal verbs tirados do texto são:
*catch up= atualizar-se, inteirar-se
*turn off = afastar-se de
*keep up with = acompanhar

Resposta:

d) catch up, turn off, keep up with

Questão nº 15

In the sentence “I felt as if I had been stabbed in the stomach”, we should understand the narrator meant that:

a) She had been betrayed.

b) She had received a knife cut in her stomach.

c) She had been attacked by a stranger.

d) She had been attacked by friends.

e) She had made a huge mistake.

Questão anterior:
- Read the following text and answer questions 12 and 13

Resolução:
Na oração: “ I felt as if I had been stabbed in the stomach”,
(Eu me senti como se eu tivesse sido esfaqueada no estômago), o narrador quis dizer que ela tinha sido traída.

Resposta:
a) She had been betrayed.

Próxima questão:
- According to Calvin.